"The Game"
Written by Sisir Kumar Das
 |
Parental affection, cultural changes, unresolved insecurities : the play 'The Game' balances these aspects
of familial existence. The play represents families from a certain cross-section of Indian society, the ones
whith their children living outside India. The impact of children going away to foreign lands in search of careers
and opportunities, has left behind parents searching for emotional support in their old age. 'The Game' follows
one such old couple, fervently desirous of but the faintest hint of affection and love. The playwright explores
the extent this couple will go to in order to maintain the perception that there is unexpressed love across the
borders imposed by distance. He proposes a solution that is both ingenious and insulting to the very premise of
the nuclear family -- unequivocal love devoid of material desires.
Notes to help surmount the cultural barrier:
It is a well accepted norm for children to live with their parents as they grow up and even into their twenties
or later in India. Often, this continues with only the roles of provider and dependent being switched.
From the parents being the providers to the parents becoming the dependents in their old age. There is no feeling
of apprehension or reservation about these roles in Indian society. This is very much a part of the family value
system in India.
Performed June 2005 for the Community Theatre Association of Idaho's Festival 2005 at Boise Little Theater
Photo Gallery
Director |
Praveen Vaidyanathan |
Lights |
Vyjayanthi Prasad |
Stage Manager |
Ashutosh Dighe |
Props & Costumes |
Pallavi Garg |
Make-up |
Cecil Kester |
Publicity |
Geetanjali Tandon |
Acknowledgements |
CTAI, BLT Crew, Pat Ryan |
| CAST |
|
|
| Shashadhar Chattopadhyay |
|
Mouli Subramanian |
| Kaushalya Chattopadhyay |
|
Prithvi Shetty |
| Kamal |
|
Pradeep Ramani |
| Dipanka |
|
Deepak Bharadwar |
| Ashok |
|
Sachin Datar |
| Shyamoli |
|
Shree Yardi |
| Subodh |
|
Praveen Vaidyanathan |